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From tomorrow and for two days, we will be engulfed by Italian pilgrims that will translate from English explanations of the guides.

are buried information about Nazareth, Bethlehem and stories of various miracles.

On second thought, I'd like to turn water into wine.

I make a quick trip to Cana and then I tell you. Here are the famous

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Mejadra Pellegrini, a gorgeous skin and several cristiani (Shabbat/3)


Mejadra often seen in stalls / restaurants in Jerusalem - and I believe in kiosks di tutta Israele. Mejadra, dal nome così evocativo, è in realtà un proletarissimo piattone di riso e lenticchie, insaporito da tonnellate di cipolla e cumino, la cui ricetta ho preso dal primo libro comprato qui in Israele: "The Book of New Israeli Food".

Insomma, fa molto più fine dire al Pucciu: “Amore ciccino adorato, venerdì ti faccio Mejadra e la mangiamo prima di andare a visitare la città vecchia” che dire “Ciccio, c’è riso e lenticchie che è piatto unico e l’ho dovuto solo scongelare”.



Comunque, per niente appesantiti da tonnellate di Mejadra, abbiamo visitato il quartiere cristiano della Città Vecchia, scoprendo una moltitudine di chiese appartenenti alle denominazioni più diverse: i Greci cattolici, il Patriarcato copto, i Francescani, che hanno la custodia della Terra Santa da qualche centinaio di anni, il Patriarcato etiope.


Dallo suk siamo finiti, passando in mezzo a bambini arabi che giocavano a calcio con la maglia di una qualche squadra italiana, in quello che per ora è uno dei miei luoghi preferiti: il Deir Es Sultan compound - naturalmente conteso da diverse denominazioni – da cui si ha accesso a due cappelle minuscole e poi al cortile del Santo Sepolcro. Qui foto molto più belle delle mie ed il racconto della disputa.




Among scents of incense, an arc from Hadrian's kept in a Russian church, which traditionally pilgrims retrace the Via Dolorosa on Friday, praying and reading the Gospel, above all, it overlaps the voice of the muezzin calls the faithful to prayers, and makes you think "only here" for good or evil.

Shabbat is over now and I Pucciu dedicated to the immortal Afterhours: "I thought the skin surface that makes wonderful."

to begin early this week. Here are the famous

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La contribuente

Telephone public-house, surrounded with a display of brooms.

Hello, sono una ex prof dell’Università, non mi avete mandato i documenti per le tasse, vi ho scritto tre volte, le tasse vanno pagate entro il 15 aprile, voi dovete aiutarmi.

Dovete spedirmi il cartaceo? Ma ci impiega un sacco, sono italiana, ma ora sto a Gerusalemme, devo poi rimandare tutto indietro negli States per il 15 aprile non ce la farò mai!

Intanto i gatti fanno cerchi sempre più stretti intorno a me, valutando la consistenza delle mie chiappe di pura carnazza italiana e il venditore di scope le mette in ordine dandomi parecchio fastidio, clacson vanno che è un piacere, il venditore di CD sta bloccando il traffico ballando in mezzo alla strada il sobrissimo “Disco Partizani”

(This):



You do not understand - Wikipedia orphan - she is the American Midwest, is located in a quiet office on campus, I'm here in the middle of a road, the threat of rain. The Middle East is Cincinnati, ordered all, big cars and no one walking down the street, here are wild cats, chocolate and screaming in the street, is a completely different world, we forget his sorry etc, and moreover, I earned so little that I am entitled to a refund of taxes, I hate to lose him because of the delay, I have behind a row of ladies and gentlemen Indian immigrants who want to call home, you must help me!

Look, non me ne frega, se vede il cartaceo mi dia i numeri!

La autorizzo, lei può sapere tutto di me, non avremo segreti Mr. Non mi ricordo il nome, mi perdoni, però già sento di amarla, lo sa?

Ricevuta la copia scansionata stamattina via email, scopro che il rimborso mi copre parte del corso di ebraico. Amo pagare le tasse.

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A Lilith è andata peggio

Quando mi scazzo e mi sta per venire la sindrome da povera fiammiferaia, che oltretutto non trova riscontro da nessuna parte, dato che il pucciu, invece di farmi crogiolare nello scazzo me ne distoglie, penso che tutto sommato alla povera Lilith andò molto peggio.

Dunque: c’è Adam, who obviously needs a companion, can not be all alone in Eden.

Then the Creator took the dust and created his companion, Lilith. Lilith is a tough girl, in every way equal to Adam, he also wants to be on top when making love, which I guess for the time it was considered a bit 'bolder. Adam, being the prototype of the average man to the Creator says plaintively: "This wants to be like me! When I asked a mate did not mean a case? "

Apparently Adam had not yet heard:" You wanted the bike and then ride. "

Lilith Adam feels complain and goes far away from Eden. That scourge of course, now complains that Adam was abandoned.

Lilith refused to return and as a curse, since giving birth every day hundreds of little children, the little ones all die, every time.
She does a pleated front and the curse is dedicated to slaughter other people's children. Although the three angels Senoy, Sansenoy Semangelof and force it to promise to tell the mothers to put the neck of a small amulet with their names, effectively nullifying the possibility that you could kill them.

She has always kept his word and I still claim the right to bask in my Scazzi. Here are the famous

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Shabbat/2



had to go to friends in the kibbutz for the weekend and did not. Then

classic Saturday lunch at the home of a 'friend, with her husband - composer-their child and their friend and that' director. The magnates and 'usual was excellent and plentiful, and the fact that to reach their home we made 5km walk - no public transportation in Jerusalem on Shabbat, there has aroused the appetite.

which also never fails.

During lunch, fucked for several minutes after the slang of American college, filled with "Oh my Gosh! This is sooooo cute! I am Overwhelmed!" (Here and 'full of American / e), it is revealed that the director and mother of' American but thankfully not 'more' collegiate.

Oh. My. Ghosh. This is not cute.

Lunch 'continued nicely without my further gaffes, even with the use of English rather relaxed, thanks to red wine. I was still difficult to distinguish the Jewish Hungarian, the husband of our friend who speaks with the child, but I'll just make '.

At the luncheon following Shabbat the digestive walk in Ramat Rachel, in piu 'a war' was the border between Israel and Jordan, where you can see in the distance Bethlehem, an Arab village, the desert and pass near a kibbutz and in the trenches of 1949.


surreal scenes of Arab children who care goats next to a BMW, a monument with the olive trees at the top.



Then today we went to the Holy Sepulchre, and there were scuffles between the brothers, so it 'was just a nice weekend. Here are the famous

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L’ARSENALE DELLE IDEE.

TEATRO, FUTURISMO E MARINERIA ALLA SPEZIA

Jole Rosa opens March 19 celebrations for the founding of the Arsenal of the Navy and the March 21 anniversary to Futurist Spezia interpreting The view of the world Ettore Cozzani the Clock Tower and the dry docks, masterfully directed by one of the leading avant-garde theatrical Italian: Meme Perlini.

2009 is annus mirabilis to the memory of the city of La Spezia: intersect the anniversaries of 140 years of the inauguration of the Arsenal and the Navy 100 years Futurism. La Spezia has hosted a large group of artists and events in the second Futurism: Marinetti over all'Aereopoema fact, the Ligurian city is the birthplace of the poet, literary scholar Ettore Cozzani, founder of the Futurist magazine "L" Eroica "that had long-lived (until 1944). In the same year-1869 - which came to fruition in the construction of a military that has triggered the growth of the city, happened (in March, on the 28th to be exact) that a British naturalist, FWC Trafford, was the protagonist, on top of the mountain overlooking the Island Palmaria Castellana, a phenomenon that, anywhere you want to consider, was extraordinary: from the top is opened, in the embrace of the sea, the view of the world, with the silhouettes of the islands and continents. Hallucination? Maybe. It took him four years before deciding to write a proper scientific report. In 1931 Ettore Cozzani, romantic figure of the Futurist, the report translated in poetic narrative.

Lo spettacolo prodotto dalla città per la regia di Memé Perlini con l’interpretazione di Jole Rosa, attingendo a quel testo tratto dalla raccolta delle Leggende della Lunigiana, ha l’ambizione di tessere le fila degli anniversari, con due rappresentazioni nei luoghi che incarnano gli stessi: l’Arsenale e il Palazzo delle Poste . Nel primo caso è stato scelto lo spazio dell’andana between the small river-a sort of bridge between the masonry basins where ships are repaired once contenimento.-depleted water near the Main Gate. Here the show will be held at 17.30 of March 19, feast of the patron saint, St. Joseph's only day in which civilians can visit the city "hidden", the place where they are repaired and where they find temporary shelter ships military and training ship Amerigo Vespucci in the second case the show will take place in the clock tower of the Post Office building, designed in 1933 by Angiolo Mazzoni according to the dictates Futurist Manifesto of air and lined with mosaics and Fillia Prampolini having as its theme the terrestrial, marine, air and telegraph. L a performance is scheduled for the Notte Bianca on March 21, with entry by invitation . It is in both cases the face of a theatrical journey to the rediscovery of hidden areas of the city, but of unknown faces dripping with history and memory of a seaside town.

Meme Perlini, therefore, arrived at Spezia invited by the actress Rosa Jole, who played some of his pageants including Elagabulus (which also starred a young Tony Servillo), Jole Rosa, provocative muse Theatre Research Roman eighties and film, worked with Carmelo Bene (The Dinner of mockery), with Fellini (City of Women) and for some time, moved to La Spezia is engaged in a personal project to develop land in the Gulf of Poets and poetry inspired by trekking through original theatrical pictures related to marine environments .

The show:

It starts from the evocation of the sea by the pilgrim and Gulf view from Mount Hector Cozzani Castellana. The view gradually lost over the island Palmaria and growing like a dream vision extends to distant regions, up to Greenland and passing more and more sensitive data, comes to God in an upward movement synaesthetically metaphorically described with great pathos. David Marcesina played to the poster and postcard invite-a sense of the futurist movement immortalizing Jole Rosa in different poses of the face and body assembled.

The view of the world according to Beadle loses the connotation late romantic (mostly futuristic) of the text to become a machine vision "cinematic"-film. In both indoor and outdoor versions, and then come Jolene Rose ascend to heaven ferried by ropes, cranes, flying boats. The worldview of the Gulf and the Gulf of Spezia becomes a daydream, a surrealist painting or perhaps a physical-geographical reality as possible, as claimed by the scientist Trafford Cozzani which drew inspiration for his poem. Inside the Palazzo delle Poste Jole Rosa will dance together in an acrobatic and Mystic air-flight between the pictorial 200 square meters of different materials and colorful decorations inside the Clock Tower. So Palmaria Island evoked by the words of Cozzani, between live music by Eddy De Matheis, will manifest as a shiny piece of the puzzle Prampolini che brilla tra le scenografie argentati e specchianti realizzati da Mario Sturlese con lo sguardo sottoinsù del pubblico messo tutt’intorno alle scale. C on i capelli rossi vaporosi e ricci, con indosso una stoffa che la farà diventare alta e solenne come una metopa del Partenone e con ai piedi gli scarponi da camminatore dei cieli, tagliata da lame di luce, Jole Rosa diventerà il folletto buono Ariel della Tempesta, la contadina che ascende al cielo in Teorema di Pasolini o la Santa che si stacca dal quadretto di un ex voto devozionale. Lei è lassù che ci racconta una storia di mare, di navigazioni e di approdi fortunati, tra tiraggi di corde, imbragature e sartiame; racconta di coste avvistate from the yard of the mainmast, and as in a zoom of a film or as a screen by Google Earth- fact, we see unfolding around us the cosmos, in a symbolic embrace of ocean that knows no end.

Info: Myriam Cinquepalmi:

miriam.cinquepalmi @ gmail.com